Artemis patiently waits
©Cameron Altaras
Scriptures shape-shift to
Reign in life and
Direct the horses to
Keep black buggies full of girlhood dreams
to the side of the road.
Artemis patiently waits.
While the world evolves beyond
their blinders and out past the reaches of their reigns,
Artemis patiently waits.
Rules morph and cover
Never-cut-wound-tight hair
White head-coverings tied just so under chins to
Keep female heads full of questions
out of sight and in submission.
Artemis patiently waits.
While answers develop beyond
their grasp and farther than the reaches of their covering strings,
Artemis patiently waits,
until one of them reaches for her hand.
Longings labeled “sin” drape
Plain capes over shoulders
Growing heavier one generation to the next to
Keep women from giving birth
to forbidden strengths.
Artemis patiently waits.
While secret urges manifest new forms beyond
their inbred obedience and the reaches of the last thread of tradition’s cape,
Artemis patiently waits,
until one of them reaches for her hand and
Takes the arrow that she offers from her silver quiver
Shooting holes in every twisted scripture keeping women down
Wildly cutting every strand of hair bound up by Ordnung[1] and the Bishop
Reclaiming words, rekindling longings,
Unleashing dreams and urging vibrant life
Teaching women now to
Drop their blinders
Ask their questions
Use their strength
Grab their reigns and drive their horses right down the center of the road.
[1] Ordnung – A German word meaning: order, rules. In the language of the Amish, the Old Order Mennonite and other Swiss-German Mennonite communities, this word has the added weight of theological and church-sanctioned rules and traditions, with which one must abide if one is to remain a member of the church and community.
This poem is published in Cameron Altaras and Carol Penner, eds., Resistance: Confronting Violence, Power and Abuse Within Peace Churches (Elkhart, IN: Institute of Mennonite Studies, 2022), 188-190. Also published in Cameron Altaras and Sharla Nafziger, Confronting the Patterns that Silence Us (Seattle, WA: G Scott Works, 2023), 46.